Category Archives: creative ideas in photography

“GIVE ME THE DETAILS” Photographing wedding details by

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Like any event photographer, most of my wedding shots are of people, i.e. the bride, the groom and their guests. This, after all, is what a wedding is all about and what people mainly want to see when they open a wedding photo album. Weddings, though, are always packed full of other visual details besides the people. So much time is spent in preparation to make a wedding look beautiful that it would be a shame not to preserve some of this in the album. I find that sometimes the best way to achieve this is to make these details the subjects of some of my photographs, even if this means leaving people out of some shots completely.

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Efficient time management is a major factor in a successful wedding shoot, and it can be difficult to capture all the shots you require across the day. That’s why I always show up   early. I do this partly because it affords me the opportunity to walk around the venue – both inside and outside – and assess the lighting conditions on the day. However, it also gives me the chance to get some photos of the building itself and perhaps some of the decorations, flower arrangements and so on before any of the guests have arrived. I always remind my bride to have all of her details together for me when I come into the room where she is getting ready, flowers, rings, vows ,jewelry,shoes, anything and everything that she wants photographed. I challenge myself to find many creative ways of photographing  inanimate objects (since  I am a people photographer) this is always a challenge. I have been know to take an interesting painting off the walls and use it as my background. I try to stick with the colors of the wedding. Keep in mind all of this put together will want to look coordinated in a wedding album.

Of course, often we are asked to take photos of the bride, groom or both getting ready for the wedding. If this is in a hotel or other location far from the venue, it may be difficult to find time to turn up early and capture these detail shots. If so, don’t worry, there will be plenty of other opportunities. Try to spot details and photograph them across the day, and perhaps steal a bit of time at an opportune moment. An ideal opportunity is usually during the meal; most people don’t want to be photographed when they’re eating, so I take the chance to have a walk around the building and its exterior to grab some extra shots.

ALWAYS remember to photograph the venue and location. For destination weddings I might include some of my personal shots of the place I have taken before or after the wedding/

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PHOTOGRAPHY LESSON/VANTAGE POINT

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One of the most common mistakes an amateur/novice photographer makes is to take the majority of their photos standing up with the camera held near chest or eye level. Although this is the most comfortable/natural orientation it’s not the one that is going to yield impressive or unique photos. Everybody else is doing it and if you’re interested in taking photos that are going to impress an audience outside of friends and family it’s time to get down & dirty, climb, contort & twist your body all over the place

1) Look Up / Look Down

As mentioned previously, taking photos from chest or eye level is what 90% of other photographers are already doing. Start noticing what’s going on up & down. You might notice a man shaving nearby an overhead window or a cute dog scurrying about at ground level. Try taking photos of somebody climbing up steep steps from an overhead perspective. The next time you take a portrait of somebody have them sit down and look up towards the sky or ceiling before taking their shot from an above perspective. Try capturing architecture or a statue from a close-up perspective pointing your camera upwards to capture a distinct or select element.

2) Climb a Mountain, ladder, tree or just some steps

One of the easiest ways to change your perspective is to shoot from a higher vantage point. In other words, be prepared to get physical and do a little exercise climbing a mountain, ladder, tree, or just some steps When shooting above and looking down it’s almost as if you have a bird’s eye perspective of what is going on below. From a higher vantage point you can take great shots of parades, crowds, traffic or scenic valley views. The rewards of doing this are that ‘many’ other photographers are simply too lazy to ‘climb’ something. This is a tip that can’t be underestimated: putting in a bit of grunt work

REFLECTIONS in photography/http://www.creativefreedomphoto.com/

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Few things are more inspiring than reflection photography. Reflections are incredibly beautiful, and once you start looking for them, you’ll be surprised to discover that they are all around us.

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Using reflections in photography can lead to some amazing effects and beautiful images. Using water, windows, mirrors or any sort of reflective surface can change an image into a work of art. The wonderful thing about using reflections when taking photos is that they can completely alter the image from something fairly straightforward to something richer or abstract or otherwise more artistic.

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Sometimes reflections can be annoying and certainly not artistic. But

creativity and good-quality photos depend on the photographer being able to see things differently, rather than seeing only one part of a larger whole.For a pristine reflection, you can’t beat something really flat. Calm water or glass are the old standbys. But, finding something with a little texture can add contrast and drama. A lumpy piece of metal might not be as flattering as a flat, shiny piece, but it might be more interesting. Also, you can mix rough textures with smooth in the same image to add even more drama. Shoot a reflection in a puddle, but try including some of the surrounding pavement to frame the reflected scene. You can also drop a small rock or into the water to create ripples and see how that changes the resulting image.

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Find a Reflective Surface

The first step in reflection photography is relatively straightforward – you must find a reflective surface. Once you train your eye for it, you’ll realize that reflective surfaces are literally all around us. Some of the most beautiful reflections are found on the surface of water. Any bodies of water including tiny puddles are perfect for reflection photography.

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Find a Unique Subject

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Once you’ve found a reflective surface, the next stop is to find an interesting subject for your photo. Of course, you should always include your subject in the reflection because that’s what the human eye will be paying attention to. If your subject is not found in the reflection, the viewer probably won’t even notice that there is a reflection.

Go Out there and see how many interesting reflections you can find!

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All photographs copyrighted

IMPROVING YOUR PHOTOGRAPHY “FRAMING” /by creativefreedomphoto

Framing is the technique of drawing attention to the subject of your image by blocking other parts of the image with something in the scene.

For this photograph I tore a hole in a leaf-in order to frame the couple

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The benefits of framing pictures include:

1. giving the photo context (for example framing a scene with an archway can tell you something about the place you are by the architecture of the archway or including some foliage in the foreground of a shot can convey a sense of being out in nature).

2. giving images a sense of depth and layers (in essence framing a shot generally puts something in the foreground which adds an extra dimension to the shot).

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3. leading the eye towards your main focal point (some ‘frames’ can draw your photo’s viewer into the picture just by their shape). Some also believe that a frame can not only draw the eye into a picture but that it keeps it there longer – giving a barrier between your subject and the outside of the shot.

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4. intriguing your viewer. Sometimes it’s what you can’t see in an image that draws you into it as much as (if not more than) what you can see in the picture. Clever framing that leaves those viewing your image wondering a little or imagining what is behind your frame can be quite effective (get it wrong and it can also be quite annoying!).

Frames for photographs come in all shapes and sizes and can include shooting through overhanging branches, shooting through windows, using tunnels, arches or doorways – you can even use people (for example shooting over shoulders or between heads) etc.Your frame doesn’t need to go completely around the edges of your image – they might just be on one or two edges of your shot.

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My rule of thumb when considering framing is to ask the question – ‘will this add to or take away from the image?’ Sometimes framing can just add clutter to a shot and make it feel cramped – but at other times it can be the difference between an ordinary shot and a stunning one.

GO OUT THERE AND START FRAMING, challenge yourself see how many creative ways you can think of to frame your photographs

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Framing with color

This photo was captured at the Goombay festival in Key West

The photo below I wanted to find something to frame the beautiful eyes of this child

INNOCENT

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Wedding Photojournalism/The Story Teller by creativefreedomphoto

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 In the limo

Dont just keep pressing the shutter and hope that something sticks,wait,watch,observe.Do not ask people to do anything,allow life to happen .There are moments at a wedding like the dances that you are just about guaranteedfws1-003

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that there will be plenty of emotion to capture.Shoot like you are using film.If you are just starting out,I suggest that you use film. One of the best angles for capturing candidws is above,do take advantage I always look for this vantage point

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…A great wedding photographer is a great story teller. . Get to know your clients,meet with them, do an engagement session, it is very important that they feel comfortable with you, the more you know them the more passion you will feel.

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As a wedding photojournalist, I allow the story to come to me.I very rarely tell people what to do (unless I am doing the group shots,my least favorite because I feel I am missing out on the “real moments”) I ask my clients to keep the group shot list to a minimum. They didint hire me for a bunch of posed group shots but for my ability to “capture emotions” To me weddings are by far the easiest because they tend to be a field day of emotions.

  •  At the beginning of the story,remember to photograph the place,the details,the venue.These are all important to the couple and are a part of their story.

Mecedes Benz Super Dome New Orleanswedding details

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I ask my clients to have the guys nearby so that I can go back and forth between the guys and the ladies, You want to get both sides of the story!

Try to be a fly on the wall, wear black not bright colors.You want people to forget that you are there so that things can happen naturally. I long zoom lens is a good Idea for candid s at weddings.

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Keep in mind that there are two sides of the story,during the ceremony for instance,its not just about the couple but pay attention to the audience,know who the parents are,most often the Mothers will shed some tears.

 

The most important shot during the ceremony most often it is the grooms reaction when he sees his bride for the first time

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My students often ask me what do you photograph during the reception when everyone is eating. Good question, it is not flattering to photograph people eating,but children can be adorable during this time.It is also a good time to shoot some of the details.Also the atmosphere,the musicians if they do have live music

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A great story has a beginning,middle and an ending, think of a parting shot,it could be a back shot of the couple walking away in the sunset or grandma asleep at the reception,most often I dont think, I just allow things to happen naturally.Sometimes my couple does request a specific parting shot .

Super dome wedding

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Most important,dont pose people,allow them to be themselves,stand back,remember you are there to tell the story and to capture all the emotions

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