Category Archives: creativity in photography

The what if’s”What if it rains on my wedding day? “

I will be doing a series of “what if’s”After twenty five years of photographing weddings I have heard them all!

One big one is “what if it rains”..Dont panic! First off overcast is the most flattering light for portraits!

 

 

Always be prepared, its better to be safe than sorry. I always tell my brides bring umbrellas,   incorporate the colors of your wedding,

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“Multi-colored or completely clear, there’s an artistic opportunity to take advantage of with rain.

 

Hopefully you will  have a very creative photographer who will go with the flow and use the rain to his or her advantage!

This photograph was shot after the rain,there was a big puddle on the beach,one of my favorites,would not have been possible if it didint rain!

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It could be good luck.

Maybe in your mind, rain on your wedding day is the worst thing that can happen. A sign, if you will, that you have really bad luck.  “in some cultures, rain on your wedding day is considered good luck, symbolizing fertility and cleansing.

Another great puddle reflection!

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beach santana guy

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Improving your photography/advice from a pro

In this blog I will share with you some simple tips for you to improve your own picture taking.Photography is made up of light and composition,you need both elements to make a great photograph’ The photograph below has both,great composition, notice how I framed the cats eyes.framing is a law of composition and will definitely make your photos much more interesting

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In the photograph below I purposely used the noon sun (a time you do not want to take portraits) I wanted the effect of shadow and depth.In this composition I filled the frame with the subject.

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The best natural light for photographs is overcast,skin tones are even and colors pop.You cant always get what you want so if you are going out shooting in natural light,go in the”magic hour” first light of day and an hour before sunset when the sun is low in the sky.Below a great example of overcast and also “framing”

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The photo below,”LEADING LINES” Another rule of composition,I rarely put my subject directly in the middle,when you have leading lines its O.K to do so.

 

The photo below/what makes this photograph great are a few things.the angle,shooting from above looking down,see how this also isolates the background.There is nothing more distracting to me in a photograph than clutter. The photo also tells a story,it says something not just a photo of the couple smiling and looking at the camera,it captures the love the joy between this just married couple.fws1-003

Photos below two thirds rule,see how in these photographs the subject is NOT directly in the middle

 

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n order to capture a clear silhouette, you’ll need the background to be brighter than your subject. The best way to do this is to shoot at the beginning or the end of the day. The optimum time to shoot a silhouette is when the sun is low in the sky – either when it is rising or setting. Sunsets are a favorite among photographers who regularly create spectacular silhouettes, but you can also shoot a decent silhouette against a blue sky.

Happy shooting! Practice makes perfect!

 

 

 

 

 

 

Improve your travel photography/advice from a photojournalist

 

My very favorite thing to photograph is travel/street photography. Especially when I see a place for the very first time.Being a “people” photographer No place on earth inspires me more than New Orleans.To me its the people that make the place!

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  My best advice.:
1) use a lens that cane do both wide angel and zoom.Invest in a camera backpack,limit the amount of equipment. Its NOT the equipment that capture the moment,its you.
2) Do not walk around alone.
3) Be fearless,go off the beaten path.While visiting New Orleans I went to the ninth ward. There is a magical place  called “musicians Village” that is were I met David
4) DO NOT go on a guided tour
5) Talk to people,get up close and personal
6) Street musicians are a good place to start,they never mind if you are talking their photo.
7)Pay attention to detail
8) think outside of the box,try interesting views,different angels and perspectives
9 ) Go out with your camera in the magic hour right after the sun comes up,right before the sun sets.After the rain,photograph reflections in puddles,take advantage of overcast light,makes colors pop and skin tones, even. Twilight immediately after the sun sets for night scenes.
10)Try to stay in the center of town,I shot this one from my balcony at three in the morning.
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11)Most of all, let the story unfold before you,enjoy the adventure.Its like when I photograph a wedding I dont think about it and put pressure on myself,the story unfolds before me, I am there to tell the story

HERE COMES THE GROOM

1ws

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Everyone always gets so carried away with the bride,what about the groom’s?

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I always ask my couples to get ready at the same location.I like to go back and forth between the guys and gals to get both sides of the story.

The brides room is usually chaotic,a mess,full of emotion,makeup,hair spray,chocolate, and mimosas everywhere. The contrast when you put the two together is hilarious. The guys are just hanging out and having a good time with their buddies. The only stress they have is how to pin on the boutonniere ,.

I always ask my couples separately “What is the most important moment to you” 90% of brides will say “When he sees me coming down the isle”When I ask the guys the same question most will say,”the first time I see her coming down the isle as my bride”

I always make sure I get this shot,I am usually shooting behind the bride and her Dad focusing on the grooms reaction between the shoulders of the bride and her Dad/Mom or whoever is walking her down the Isle. I have a student/apprentice have another camera focused on the groom from another angle, I teach my student (this is usually their first lesson on capturing emotion) do not turn around keep you focus on the groom at all times, you will know when he see’s her and I want a series of shots. Its very rare that a groom will not show any emotion , the most beautiful shot to me is when the groom cries. Guys try so hard to hold in their feelings.It is   an amazing moment/

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PHOTOGRAPHY LESSON/VANTAGE POINT

by http://www.creativefreedomphoto.com/

One of the most common mistakes an amateur/novice photographer makes is to take the majority of their photos standing up with the camera held near chest or eye level. Although this is the most comfortable/natural orientation it’s not the one that is going to yield impressive or unique photos. Everybody else is doing it and if you’re interested in taking photos that are going to impress an audience outside of friends and family it’s time to get down & dirty, climb, contort & twist your body all over the place

1) Look Up / Look Down

As mentioned previously, taking photos from chest or eye level is what 90% of other photographers are already doing. Start noticing what’s going on up & down. You might notice a man shaving nearby an overhead window or a cute dog scurrying about at ground level. Try taking photos of somebody climbing up steep steps from an overhead perspective. The next time you take a portrait of somebody have them sit down and look up towards the sky or ceiling before taking their shot from an above perspective. Try capturing architecture or a statue from a close-up perspective pointing your camera upwards to capture a distinct or select element.

2) Climb a Mountain, ladder, tree or just some steps

One of the easiest ways to change your perspective is to shoot from a higher vantage point. In other words, be prepared to get physical and do a little exercise climbing a mountain, ladder, tree, or just some steps When shooting above and looking down it’s almost as if you have a bird’s eye perspective of what is going on below. From a higher vantage point you can take great shots of parades, crowds, traffic or scenic valley views. The rewards of doing this are that ‘many’ other photographers are simply too lazy to ‘climb’ something. This is a tip that can’t be underestimated: putting in a bit of grunt work

CREATIVE FREEDOM FOR ALL!How to look great in your wedding photos!

TRUST THEM

Of all the wedding photographers I know, one of their biggest gripes is when a client hands them a detailed shot by shot list of every single thing they want photographed – the dress hanging in front of the window, the shoes, bride getting into her dress, dad looking proud… you get the idea. Trust your photographer. They’ve been doing this a lot longer than you and they will be well aware which shots to get .

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Creative people need “Creative Freedom”That is why I call my business creativefreedomphoto.When artist are told what to do, they  can loose their passion,it interferes with the creative process.When I was a photojournalist for newspapers they give you 100% “Creative Freedom”they trust your eye and talent to tell the story” That is why they hired you!

obviously if you have something particularly sentimental or unique that you’d like photographed (maybe a piece of jewelry passed down through your family or a DIY project that you spent days on) then be sure to let them know, but don’t hand them a blow by blow list of every single shot you want. Allow your photographer to do their job and to be creative. They’ll enjoy the day more which will result in better photographs.

THINK ABOUT THE LIGHT

This is another thing that couples tend to not consider (or not even know they have to consider) but be aware that the light changes throughout the day and different light will result in very different photographs.

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Usually two hrs befog the sunset will give enough light and time for group shots and the”intimate session. Even better,     do a ‘first look’ (where you see each other before the ceremony and get your photos taken then). If you’re not superstitious about seeing each other beforehand, this is a great option too.

When looking at venues think about the light in each room. Is the bedroom you’re getting ready in to small, if there will be allot of people in the room ,obviously you need a big room.does it have an abundance of natural light  ,DO NOT get ready in a locker room with florescent light.  Are the ceremony room walls covered in dark wood with small windows? Remember, photography is essentially painting with light and if there isn’t any, there’s only so much your photographer can do without using a flash.

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Getting ready: “Having about   two hrs with the bride before the ceremony would give me enough time to photograph all the details of the dress, shoes, jewelry etc as well as take some informal photos of everyone getting.  I always ask to have the grooms nearby,keep in mind if I have to go to two location you are missing out on photos I could be taking while I am traveling

Another thing to consider is to politely ask your guests to not take photos during the ceremony (you can do so in the order of service). Guests holding up mobile phones as you walk down the aisle or flashes going off throughout the vows are only going to be distracting for you and other guests (and/or ruin the professional shots).

LEAVE ENOUGH TIME

As I said, time is of the essence and the more time your photographer has the better. They are the experts so ask them how long they think each element should take. Group shots for example are notorious for taking longer than you expect. Having to round up a half-cut usher or a camera-shy aunt for the photos can take a while Give a trusted friend or relative   a list of the group shots you want, do not put down every combination of everyone,keep it simple, try to photograph the elderly first  and if possible delegate the task of helping round people up to a trustworthy usher or bridesmaid.Best to let them know beforehand.

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GET CREATIVE

Your photographer is not just there to snap away aimlessly. Wedding photographers are a super creative bunch so be open to their ideas and again, trust them! For your portraits, listen to their ideas and don’t be afraid to walk off that beaten path a little bit. These often result in THE MOST AMAZING PHOTOS!  Set aside as much time as possible for this part of the day. The more time the photographer has, the better the results will be.

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The “intimate session”I like to call it is probably the only time the two of you will be alone.leave the best light for these photos.I like to have at least a half hr,the last hr before sunset.  pick a beautiful location nearby,do not allow anyone to follow you and your photographer.This is a good time to have a cocktail hr.

Do not go out and get a tan,does not look flattering in photographs. Guys watch out for those racoon eyes. Try your best to get plenty of sleep and drink as much water as you can before the big day! Hold your bouquet down low it will elongate your waist . Never stand straight in front of the camera, turn your body and put weight on your back leg. If you are self conscious about back fat (yes I said it)  or your arms are not perfect, why not get sleeves 3/4 sowed in, I know it seems like all wedding gowns are sleeveless I dont know why ,if that wont work for you,do go with a veil or even a bolero jacket or a shawl depending on your style of dress. Do established a friendship with your wedding photographer,the more comfortable you feel the better,the less nervous you are in front of the camera the better,!  I always make a strong point of getting to know my clients,I have heard so many times that they felt so at ease as if family were taking their wedding photographs,believe me it really makes a difference!

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Most of all forget about the camera and enjoy the day!!

And do keep in mind I travel worldwide!

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IMPROVING YOUR PHOTOGRAPHY “FRAMING” /by creativefreedomphoto

Framing is the technique of drawing attention to the subject of your image by blocking other parts of the image with something in the scene.

For this photograph I tore a hole in a leaf-in order to frame the couple

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The benefits of framing pictures include:

1. giving the photo context (for example framing a scene with an archway can tell you something about the place you are by the architecture of the archway or including some foliage in the foreground of a shot can convey a sense of being out in nature).

2. giving images a sense of depth and layers (in essence framing a shot generally puts something in the foreground which adds an extra dimension to the shot).

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3. leading the eye towards your main focal point (some ‘frames’ can draw your photo’s viewer into the picture just by their shape). Some also believe that a frame can not only draw the eye into a picture but that it keeps it there longer – giving a barrier between your subject and the outside of the shot.

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4. intriguing your viewer. Sometimes it’s what you can’t see in an image that draws you into it as much as (if not more than) what you can see in the picture. Clever framing that leaves those viewing your image wondering a little or imagining what is behind your frame can be quite effective (get it wrong and it can also be quite annoying!).

Frames for photographs come in all shapes and sizes and can include shooting through overhanging branches, shooting through windows, using tunnels, arches or doorways – you can even use people (for example shooting over shoulders or between heads) etc.Your frame doesn’t need to go completely around the edges of your image – they might just be on one or two edges of your shot.

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My rule of thumb when considering framing is to ask the question – ‘will this add to or take away from the image?’ Sometimes framing can just add clutter to a shot and make it feel cramped – but at other times it can be the difference between an ordinary shot and a stunning one.

GO OUT THERE AND START FRAMING, challenge yourself see how many creative ways you can think of to frame your photographs

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Framing with color

This photo was captured at the Goombay festival in Key West

The photo below I wanted to find something to frame the beautiful eyes of this child

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