I always tell me couples more guests=more stress,you dont need to invite 200 people to your wedding.Its quality not quantity!
When to do the group shots and who should be in them? What I usually do is get the group shot session done after the ceremony.Make sure that you tell all beforehand who needs to stay put.You do not want someone who disappeared to the bathroom holding up the session.
What I tell my couples dont make a list of every combination you can think of.make it simple.Example bride and groom with brides immediate family,then add on the extended family,then the same with the groom.Entire bridal party,bride with gals and groom with his guys.
Discuss with your photographer if you want them to be fun formal or both. Appoint an assertive and organized friend or family member to be in charge of the list and assisting your photographer.If you plan all of this in advance and all goes smoothly it should take no longer than twenty minuets.
Before the ceremony is a good time to get all the guys together and all the girls for some bridal party shots.I usually look for an interesting background.They dont all have to be posed!
Thing of creative ways to entertain your guests,receptions tend to be redundant.Photo booths are fun,or you could hire a caricature artist,table magician,cigar roller etc make it your own,make it unique,get creative!
Children are adorable at weddings and make for some great photographs.I do not recommend a candy bar,children have enough energy without all of the sugar! How bout keeping them occupied with table games ,fun things for them to do.
Notice beforehand if there is an Ariel view at the venue,if so arrange to have the entire group (everyone at your wedding) to be photographed.That is a great vantage point for a big crowd.
Or you could include all of your guests in a parting shot
Source: Capturing Emotion In Photography
we often find that the most beautiful photographs are often the ones capturing the strongest emotion. After all, human emotion is something we all experience every day of our lives.
Unless you’re a wedding photographer, where emotions are running high, and therefore are all over people’s faces, it’s not so easy to capture emotion. When they see a camera, people tend to freeze like deer in the headlights or they over react with big, cheesy grins or scrunched faces. This makes capturing raw emotion a bit tricky for any photographer. That doesn’t mean it’s impossible, you just have to have some tricks up your lens hood. -Capturing emotion in photos is no easy task! It can be especially tricky when people know they are being photographed we all want something more from a photo… genuine emotion. As the photographer, it’s your job to help people feel relaxed and comfortable!
When you’re shooting street shots or candids, capturing genuine emotion isn’t too difficult because you’re recording moments as they happen and your subjects are often unaware of or unconcerned with the camera’s presence.
It takes a little effort — mostly in the form of simply being a thoughtful photographer — but getting your subjects to display some unfiltered emotion is certainly an attainable goal and one with a huge payoff. The following tips apply whether your portraits are formal or spur of the moment, for pay or for fun.
Talk, Talk, Talk
this is particularly important if the person you’re shooting is a stranger. Talking helps you, the photographer, get a feel for your subject’s personality and helps your subject forget about the camera. You can put them at ease by asking questions about themselves; don’t be intrusive or overly personal with your questions, but do express a real interest in their responses.
It’s actually quite likely that some of the best photo ops are when they think you’ve put the camera down. The in-between moments are when your subject becomes authentic again. If you can sneak in a few photos during this time, you’ll be golden. When you pull this off will be spontaneous. If there is more than one person that you’re photographing, that spontaneity will be more likely to occur as they engage in conversation or an activity while you’re changing out your lenses. Stay on your toes and be ready for the unexpected!
Pulling emotion from people takes tack that comes more naturally to some than others. It helps to visualize a shoot before going into it. Imagine how and where you’re going to position them, the gear and equipment you’ll use, and how the actual images might look when done. Going into the shoot with a vision of how it would unfold will help you relax, which helps your client relax.