The what if’s”What if it rains on my wedding day? “

Source: The what if’s”What if it rains on my wedding day? “

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The what if’s”What if it rains on my wedding day? “

I will be doing a series of “what if’s”After twenty five years of photographing weddings I have heard them all!

One big one is “what if it rains”..Dont panic! First off overcast is the most flattering light for portraits!

 

 

Always be prepared, its better to be safe than sorry. I always tell my brides bring umbrellas,   incorporate the colors of your wedding,

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“Multi-colored or completely clear, there’s an artistic opportunity to take advantage of with rain.

 

Hopefully you will  have a very creative photographer who will go with the flow and use the rain to his or her advantage!

This photograph was shot after the rain,there was a big puddle on the beach,one of my favorites,would not have been possible if it didint rain!

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It could be good luck.

Maybe in your mind, rain on your wedding day is the worst thing that can happen. A sign, if you will, that you have really bad luck.  “in some cultures, rain on your wedding day is considered good luck, symbolizing fertility and cleansing.

Another great puddle reflection!

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beach santana guy

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Contact us 727-940-7922

 

Improving your photography/advice from a pro

In this blog I will share with you some simple tips for you to improve your own picture taking.Photography is made up of light and composition,you need both elements to make a great photograph’ The photograph below has both,great composition, notice how I framed the cats eyes.framing is a law of composition and will definitely make your photos much more interesting

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In the photograph below I purposely used the noon sun (a time you do not want to take portraits) I wanted the effect of shadow and depth.In this composition I filled the frame with the subject.

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The best natural light for photographs is overcast,skin tones are even and colors pop.You cant always get what you want so if you are going out shooting in natural light,go in the”magic hour” first light of day and an hour before sunset when the sun is low in the sky.Below a great example of overcast and also “framing”

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The photo below,”LEADING LINES” Another rule of composition,I rarely put my subject directly in the middle,when you have leading lines its O.K to do so.

 

The photo below/what makes this photograph great are a few things.the angle,shooting from above looking down,see how this also isolates the background.There is nothing more distracting to me in a photograph than clutter. The photo also tells a story,it says something not just a photo of the couple smiling and looking at the camera,it captures the love the joy between this just married couple.fws1-003

Photos below two thirds rule,see how in these photographs the subject is NOT directly in the middle

 

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n order to capture a clear silhouette, you’ll need the background to be brighter than your subject. The best way to do this is to shoot at the beginning or the end of the day. The optimum time to shoot a silhouette is when the sun is low in the sky – either when it is rising or setting. Sunsets are a favorite among photographers who regularly create spectacular silhouettes, but you can also shoot a decent silhouette against a blue sky.

Happy shooting! Practice makes perfect!

 

 

 

 

 

 

DONT smile and look at the camera! Children at weddings by http://www.creativefreedomphoto.com/

Say YES to having children at your wedding! Being a wedding and child photographer I am really bummed out if there are no children at a wedding.And parents please dont tell them to “smile and look at the camera”!

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Children are amazing subjects because they are just themselves,so allow them to be themselves! That is when you can capture the most endearing moments of childhood.

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A wedding album would be very bland without any photos of children

If only adults could be more like kids,for one thing,we would have a much better time!

We would be uninhibited and would make friends every where we go!a1rsfws

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So let loose and live a little!

Capturing Emotion In Photography

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we often find that the most beautiful photographs are often the ones capturing the strongest emotion. After all, human emotion is something we all experience every day of our lives.

 

 

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Unless you’re a wedding photographer, where emotions are running high, and therefore are all over people’s faces, it’s not so easy to capture emotion. When they see a camera, people tend to freeze like deer in the headlights or they over react with big, cheesy grins or scrunched faces. This makes capturing raw emotion a bit tricky for any photographer. That doesn’t mean it’s impossible, you just have to have some tricks up your lens hood. -Capturing emotion in photos is no easy task! It can be especially tricky when people know they are being photographed we all want something more from a photo… genuine emotion. As the photographer, it’s your job to help people feel relaxed and comfortable!

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When you’re shooting street shots or candids, capturing genuine emotion isn’t too difficult because you’re recording moments as they happen and your subjects are often unaware of or unconcerned with the camera’s presence.

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It takes a little effort — mostly in the form of simply being a thoughtful photographer — but getting your subjects to display some unfiltered emotion is certainly an attainable goal and one with a huge payoff. The following tips apply whether your portraits are formal or spur of the moment, for pay or for fun.

Talk, Talk, Talk

this is particularly important if the person you’re shooting is a stranger. Talking helps you, the photographer, get a feel for your subject’s personality and helps your subject forget about the camera. You can put them at ease by asking questions about themselves; don’t be intrusive or overly personal with your questions, but do express a real interest in their responses.

 

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It’s actually quite likely that some of the best photo ops are when they think you’ve put the camera down. The in-between moments are when your subject becomes authentic again. If you can sneak in a few photos during this time, you’ll be golden. When you pull this off will be spontaneous. If there is more than one person that you’re photographing, that spontaneity will be more likely to occur as they engage in conversation or an activity while you’re changing out your lenses. Stay on your toes and be ready for the unexpected!

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Pulling emotion from people takes tack that comes more naturally to some than others. It helps to visualize a shoot before going into it. Imagine how and where you’re going to position them, the gear and equipment you’ll use, and how the actual images might look when done. Going into the shoot with a vision of how it would unfold will help you relax, which helps your client relax.

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