Tag Archives: improving your photography

Improving your photography/advice from a pro

In this blog I will share with you some simple tips for you to improve your own picture taking.Photography is made up of light and composition,you need both elements to make a great photograph’ The photograph below has both,great composition, notice how I framed the cats eyes.framing is a law of composition and will definitely make your photos much more interesting

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In the photograph below I purposely used the noon sun (a time you do not want to take portraits) I wanted the effect of shadow and depth.In this composition I filled the frame with the subject.

UP RISEING

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The best natural light for photographs is overcast,skin tones are even and colors pop.You cant always get what you want so if you are going out shooting in natural light,go in the”magic hour” first light of day and an hour before sunset when the sun is low in the sky.Below a great example of overcast and also “framing”

Featured Image -- 1021

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The photo below,”LEADING LINES” Another rule of composition,I rarely put my subject directly in the middle,when you have leading lines its O.K to do so.

 

The photo below/what makes this photograph great are a few things.the angle,shooting from above looking down,see how this also isolates the background.There is nothing more distracting to me in a photograph than clutter. The photo also tells a story,it says something not just a photo of the couple smiling and looking at the camera,it captures the love the joy between this just married couple.fws1-003

Photos below two thirds rule,see how in these photographs the subject is NOT directly in the middle

 

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n order to capture a clear silhouette, you’ll need the background to be brighter than your subject. The best way to do this is to shoot at the beginning or the end of the day. The optimum time to shoot a silhouette is when the sun is low in the sky – either when it is rising or setting. Sunsets are a favorite among photographers who regularly create spectacular silhouettes, but you can also shoot a decent silhouette against a blue sky.

Happy shooting! Practice makes perfect!

 

 

 

 

 

 

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“SEEING THE LIGHT” NATURAL LIGHT PHOTOGRAPHYhttp://www.creativefreedomphoto.com/

232ee5Photography is mainly made up of light and composition, you can have the greatest composition but without the right light…bla,or you have the most amazing light but with out a great composition,it will not be a great photograph

  I have been asked many times, how do you learn about light. My answer is go out there and shoot in every possible light.
  The two “magic hours, the first and last hour of light.
Back lighting is my favorite (makes things POP,look three dimensional)
a for thumt n re size-001
When your subject is in front of the sun silhouette)
NOON the WORST time of day for portraits deep shadows and texture,however
 if that is what you are going for like the photo below I wanted her to look as if she were rising out of the ground (I call it up rising) would NOT have worked at all in the “magic hr”
UP RISEING
 NOW my FAVORITE is overcast makes colors POP, skin tones perfect,so dont freak out if it rains on your wedding day chances are the light will be great for portraits.
amr
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Rain, protect your gear but DO get out there or right after the rain, puddles and reflections make such interesting photos.
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TWILIGHT, the 10 minuete window after sunset when the sky is not black yet and all the neon and available night light comes out,good to use a tripod at this time and perhaps a slow shutter speed.
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Now get out there!!

“GIVE ME THE DETAILS” Photographing wedding details by

Byhttp://www.creativefreedomphoto.com/

Like any event photographer, most of my wedding shots are of people, i.e. the bride, the groom and their guests. This, after all, is what a wedding is all about and what people mainly want to see when they open a wedding photo album. Weddings, though, are always packed full of other visual details besides the people. So much time is spent in preparation to make a wedding look beautiful that it would be a shame not to preserve some of this in the album. I find that sometimes the best way to achieve this is to make these details the subjects of some of my photographs, even if this means leaving people out of some shots completely.

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Efficient time management is a major factor in a successful wedding shoot, and it can be difficult to capture all the shots you require across the day. That’s why I always show up   early. I do this partly because it affords me the opportunity to walk around the venue – both inside and outside – and assess the lighting conditions on the day. However, it also gives me the chance to get some photos of the building itself and perhaps some of the decorations, flower arrangements and so on before any of the guests have arrived. I always remind my bride to have all of her details together for me when I come into the room where she is getting ready, flowers, rings, vows ,jewelry,shoes, anything and everything that she wants photographed. I challenge myself to find many creative ways of photographing  inanimate objects (since  I am a people photographer) this is always a challenge. I have been know to take an interesting painting off the walls and use it as my background. I try to stick with the colors of the wedding. Keep in mind all of this put together will want to look coordinated in a wedding album.

Of course, often we are asked to take photos of the bride, groom or both getting ready for the wedding. If this is in a hotel or other location far from the venue, it may be difficult to find time to turn up early and capture these detail shots. If so, don’t worry, there will be plenty of other opportunities. Try to spot details and photograph them across the day, and perhaps steal a bit of time at an opportune moment. An ideal opportunity is usually during the meal; most people don’t want to be photographed when they’re eating, so I take the chance to have a walk around the building and its exterior to grab some extra shots.

ALWAYS remember to photograph the venue and location. For destination weddings I might include some of my personal shots of the place I have taken before or after the wedding/

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PHOTOGRAPHY LESSON/VANTAGE POINT

by http://www.creativefreedomphoto.com/

One of the most common mistakes an amateur/novice photographer makes is to take the majority of their photos standing up with the camera held near chest or eye level. Although this is the most comfortable/natural orientation it’s not the one that is going to yield impressive or unique photos. Everybody else is doing it and if you’re interested in taking photos that are going to impress an audience outside of friends and family it’s time to get down & dirty, climb, contort & twist your body all over the place

1) Look Up / Look Down

As mentioned previously, taking photos from chest or eye level is what 90% of other photographers are already doing. Start noticing what’s going on up & down. You might notice a man shaving nearby an overhead window or a cute dog scurrying about at ground level. Try taking photos of somebody climbing up steep steps from an overhead perspective. The next time you take a portrait of somebody have them sit down and look up towards the sky or ceiling before taking their shot from an above perspective. Try capturing architecture or a statue from a close-up perspective pointing your camera upwards to capture a distinct or select element.

2) Climb a Mountain, ladder, tree or just some steps

One of the easiest ways to change your perspective is to shoot from a higher vantage point. In other words, be prepared to get physical and do a little exercise climbing a mountain, ladder, tree, or just some steps When shooting above and looking down it’s almost as if you have a bird’s eye perspective of what is going on below. From a higher vantage point you can take great shots of parades, crowds, traffic or scenic valley views. The rewards of doing this are that ‘many’ other photographers are simply too lazy to ‘climb’ something. This is a tip that can’t be underestimated: putting in a bit of grunt work

Environmental portraits lesson/www.creativefreedomphoto.com

As a Photojournalist for several newspapers, environmental portraits are a must.They tell a story. The photo below was the morning after hurricane George hit Key West.

hurricain george pxl

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just because wilma h

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Above a sign turned up side down,one of the weirdest things I have ever seen!

What exactly is an environmental portrait, how does it differ from a typical portrait?
An environmental portrait, also called a location portrait, uses a person’s surroundings to tell more about that person. Sometimes this environment is directly connected to who they are—it’s that person’s home, place of work or community. Other times the environment has little or no connection but helps create a mood that contributes to an understanding of that person.

Below an old Cuban man making hats out of psalm fronds in Key West Fl

“Thats What Fronds Are For”

Thats what fronds are for!!

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Why do I prefer environmental portraits?

  • they give context to the subject you’re photographing
  • they give points of interest to shots (something you need to watch as you don’t want to distract from your subject too much)
  • they help your subject relax
  • they often give the viewer of your shots real insight into the personality and lifestyle of your subject

Backgrounds

There should be some background detail, to add character to a picture, but not so much that it overpowers the presence of the person in the shot. The idea behind this method of photography is that the background subtly adds to the feel of the portrait yet does not become the main feature. If you find the background to be too distracting, try using a wider aperture to blur the background so you can still make out what’s there but the eye is immediately drawn to the person instead. You could also try cropping the shot when you’re back at your computer or simply move your subject to a place where the background isn’t so distracting. Remember, you want your location to relate to your subject and add interest to the shot without actually pulling attention away from your main point of focus.

One of my favorite photographs of my son in his teenage yrs

bella senior 5

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“The best asset that any photojournalist has is the ability to schmooze—the ability to relate to somebody else, the ability to talk to somebody else and to make them feel comfortable. If they’re comfortable with you, your pictures will clearly show it,” “You can’t be shy if you’re going to play photojournalist. You have to talk to people.”

An artist in his gallery in New Orleans

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REFLECTIONS in photography/http://www.creativefreedomphoto.com/

flower girls

Few things are more inspiring than reflection photography. Reflections are incredibly beautiful, and once you start looking for them, you’ll be surprised to discover that they are all around us.

Piano man

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Using reflections in photography can lead to some amazing effects and beautiful images. Using water, windows, mirrors or any sort of reflective surface can change an image into a work of art. The wonderful thing about using reflections when taking photos is that they can completely alter the image from something fairly straightforward to something richer or abstract or otherwise more artistic.

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Sometimes reflections can be annoying and certainly not artistic. But

creativity and good-quality photos depend on the photographer being able to see things differently, rather than seeing only one part of a larger whole.For a pristine reflection, you can’t beat something really flat. Calm water or glass are the old standbys. But, finding something with a little texture can add contrast and drama. A lumpy piece of metal might not be as flattering as a flat, shiny piece, but it might be more interesting. Also, you can mix rough textures with smooth in the same image to add even more drama. Shoot a reflection in a puddle, but try including some of the surrounding pavement to frame the reflected scene. You can also drop a small rock or into the water to create ripples and see how that changes the resulting image.

jazz ps

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Find a Reflective Surface

The first step in reflection photography is relatively straightforward – you must find a reflective surface. Once you train your eye for it, you’ll realize that reflective surfaces are literally all around us. Some of the most beautiful reflections are found on the surface of water. Any bodies of water including tiny puddles are perfect for reflection photography.

a1ref2

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Find a Unique Subject

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Once you’ve found a reflective surface, the next stop is to find an interesting subject for your photo. Of course, you should always include your subject in the reflection because that’s what the human eye will be paying attention to. If your subject is not found in the reflection, the viewer probably won’t even notice that there is a reflection.

Go Out there and see how many interesting reflections you can find!

232ee5

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All photographs copyrighted

IMPROVING YOUR PHOTOGRAPHY “FRAMING” /by creativefreedomphoto

Framing is the technique of drawing attention to the subject of your image by blocking other parts of the image with something in the scene.

For this photograph I tore a hole in a leaf-in order to frame the couple

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The benefits of framing pictures include:

1. giving the photo context (for example framing a scene with an archway can tell you something about the place you are by the architecture of the archway or including some foliage in the foreground of a shot can convey a sense of being out in nature).

2. giving images a sense of depth and layers (in essence framing a shot generally puts something in the foreground which adds an extra dimension to the shot).

a1fbed

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3. leading the eye towards your main focal point (some ‘frames’ can draw your photo’s viewer into the picture just by their shape). Some also believe that a frame can not only draw the eye into a picture but that it keeps it there longer – giving a barrier between your subject and the outside of the shot.

 framed

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4. intriguing your viewer. Sometimes it’s what you can’t see in an image that draws you into it as much as (if not more than) what you can see in the picture. Clever framing that leaves those viewing your image wondering a little or imagining what is behind your frame can be quite effective (get it wrong and it can also be quite annoying!).

Frames for photographs come in all shapes and sizes and can include shooting through overhanging branches, shooting through windows, using tunnels, arches or doorways – you can even use people (for example shooting over shoulders or between heads) etc.Your frame doesn’t need to go completely around the edges of your image – they might just be on one or two edges of your shot.

bridsmaid walking

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My rule of thumb when considering framing is to ask the question – ‘will this add to or take away from the image?’ Sometimes framing can just add clutter to a shot and make it feel cramped – but at other times it can be the difference between an ordinary shot and a stunning one.

GO OUT THERE AND START FRAMING, challenge yourself see how many creative ways you can think of to frame your photographs

 little Louisiana girl

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ajb300

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Framing with color

This photo was captured at the Goombay festival in Key West

The photo below I wanted to find something to frame the beautiful eyes of this child

INNOCENT

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