Tag Archives: people photography

Improve your travel photography/advice from a photojournalist

 

My very favorite thing to photograph is travel/street photography. Especially when I see a place for the very first time.Being a “people” photographer No place on earth inspires me more than New Orleans.To me its the people that make the place!

1ws

 http://www.creativefreedomphoto.com/

  My best advice.:
1) use a lens that cane do both wide angel and zoom.Invest in a camera backpack,limit the amount of equipment. Its NOT the equipment that capture the moment,its you.
2) Do not walk around alone.
3) Be fearless,go off the beaten path.While visiting New Orleans I went to the ninth ward. There is a magical place  called “musicians Village” that is were I met David
4) DO NOT go on a guided tour
5) Talk to people,get up close and personal
6) Street musicians are a good place to start,they never mind if you are talking their photo.
7)Pay attention to detail
8) think outside of the box,try interesting views,different angels and perspectives
9 ) Go out with your camera in the magic hour right after the sun comes up,right before the sun sets.After the rain,photograph reflections in puddles,take advantage of overcast light,makes colors pop and skin tones, even. Twilight immediately after the sun sets for night scenes.
10)Try to stay in the center of town,I shot this one from my balcony at three in the morning.
wsrsts
11)Most of all, let the story unfold before you,enjoy the adventure.Its like when I photograph a wedding I dont think about it and put pressure on myself,the story unfolds before me, I am there to tell the story

PHOTOGRAPHY LESSON/VANTAGE POINT

by http://www.creativefreedomphoto.com/

One of the most common mistakes an amateur/novice photographer makes is to take the majority of their photos standing up with the camera held near chest or eye level. Although this is the most comfortable/natural orientation it’s not the one that is going to yield impressive or unique photos. Everybody else is doing it and if you’re interested in taking photos that are going to impress an audience outside of friends and family it’s time to get down & dirty, climb, contort & twist your body all over the place

1) Look Up / Look Down

As mentioned previously, taking photos from chest or eye level is what 90% of other photographers are already doing. Start noticing what’s going on up & down. You might notice a man shaving nearby an overhead window or a cute dog scurrying about at ground level. Try taking photos of somebody climbing up steep steps from an overhead perspective. The next time you take a portrait of somebody have them sit down and look up towards the sky or ceiling before taking their shot from an above perspective. Try capturing architecture or a statue from a close-up perspective pointing your camera upwards to capture a distinct or select element.

2) Climb a Mountain, ladder, tree or just some steps

One of the easiest ways to change your perspective is to shoot from a higher vantage point. In other words, be prepared to get physical and do a little exercise climbing a mountain, ladder, tree, or just some steps When shooting above and looking down it’s almost as if you have a bird’s eye perspective of what is going on below. From a higher vantage point you can take great shots of parades, crowds, traffic or scenic valley views. The rewards of doing this are that ‘many’ other photographers are simply too lazy to ‘climb’ something. This is a tip that can’t be underestimated: putting in a bit of grunt work

Shttp://www.creativefreedomphoto.com/ay “YES” To the engagment session!!

Benafits of having an engagment session

1. Get yourself some sweet photos!

am21

http://www.creativefreedomphoto.com/

Sounds pretty obvious, right? But as time inches closer to the big day you start to find yourself getting busier and busier. Early in the engagement is the perfect time for an e-shoot; while the excitement of the proposal and visions of the future are still fresh in your mind, that emotion will be clearly evident in your photos.

 2. A chance to let loose and get creative.

You have an opportunity to take some truly unique photos, different from any you’ve had before, so make good use of it! Start with the location and pick a place that means something to both of you. It can be where you got engaged, a first date or just a verymemorable date, where you met (maybe your highschool/university). It can be any place that puts you at ease, something familiar that naturally makes you feel good, such as the zoo, a beach, or even your regular coffee shop. Where ever you decide, make it mean something to you.

afbto103

http://www.creativefreedomphoto.com/

 

Fred Howard Park,Tarpon Springs

http://www.creativefreedomphoto.com/

 

 

 

 

 

http://www.creativefreedomphoto.com/

Your photos are actually pretty useful!

Speaking of creativity, your photos aren’t limited to the confines of a picture frame! Many savvy do-it-yourselfers are using their e-shoot photos in many crafty ways. Use them for save-the-date cards, receptions seating charts and table indicators, wedding programs, guest books, or even just a really awesome coffee table book for home.

 

Practice for the big day .http://www.creativefreedomphoto.com/

Chances are you haven’t had your photos taken by a professional before, so how do you know what to do? On your wedding day you’ll be surrounded by cameras, not just the one you hired. With everything that is going on during the day, it’s great to have one less thing to worry about.

http://www.creativefreedomphoto.com/

Whether you are camera shy or a photogenic vixen, the e-shoot s a great opportunity to instill confidence and build comfort in front of the camera. It can be daunting to have a camera follow you, it happens to all of us, and it’s best to get that anxiety out of the way in advance. In no time, you’ll stop focusing on the camera and more on each other. Your nerves will calm and your stress will float away. Your interactions with each other will become more natural and you’ll learn to avoid the innate reflex to stiff up and smile directly into the camera.

 

 

 

http://www.creativefreedomphoto.com/

If you want to really make it a true dry run, try coordinating your e-shoot with your hair and makeup trials; it will allow you the chance to see how they show up in photos.

Letting your photographer get to know YOU.

2WSCC

http://www.creativefreedomphoto.com/

Not only is it good practice for you, it’s also a great trial run for your photographer. It allows him/her to see how you interact; to learn if you are timid or big on the PDA. They will learn about your personalities, whether you are goofy or serious, and how much direction you’ll need or want. It’s a great time to learn about your love story, chat about your wedding plans, and push to see how affectionate you can get in front of the camera. The opposite is also true, you’ll be able to communicate what you like and don’t like, as well as your preference for angles, expressions, lighting, and editing styles. All this will allow them to tailor the photos to make your images more personal and memorable.

Getting to know your photographer.

It’s great to have your photographer get to know you, but it’s more important that you get to know THEM. Get a taste of their shooting style and learn how they direct you. It will be very similar to how they direct you on the wedding day so you’ll know exactly what to expect. Chat with them about your wedding plans and get tips about planning out the schedule. Your photographer has seen it all and probably has a ton of advice on how to organize the day and minimize rushing and delays.

Lastly, think about this, you will likely see your photographer more than anyone else on your wedding day … including your fiancé! The e-shoot is a perfect ice breaker to transform your photographer from a ‘stranger’ taking your photos to a ‘friend’ taking your photos. Establish a relationship with your photographer (and all your vendors for that matter). Get to know his personality & hobbies to the point where you feel comfortable enough with them that you’ll look forward to spending time with them on your wedding day.

http://www.creativefreedomphoto.com/

Environmental portraits lesson/www.creativefreedomphoto.com

As a Photojournalist for several newspapers, environmental portraits are a must.They tell a story. The photo below was the morning after hurricane George hit Key West.

hurricain george pxl

http://www.creativefreedomphoto.com/

just because wilma h

http://www.creativefreedomphoto.com/

Above a sign turned up side down,one of the weirdest things I have ever seen!

What exactly is an environmental portrait, how does it differ from a typical portrait?
An environmental portrait, also called a location portrait, uses a person’s surroundings to tell more about that person. Sometimes this environment is directly connected to who they are—it’s that person’s home, place of work or community. Other times the environment has little or no connection but helps create a mood that contributes to an understanding of that person.

Below an old Cuban man making hats out of psalm fronds in Key West Fl

“Thats What Fronds Are For”

Thats what fronds are for!!

http://www.creativefreedomphoto.com/

Why do I prefer environmental portraits?

  • they give context to the subject you’re photographing
  • they give points of interest to shots (something you need to watch as you don’t want to distract from your subject too much)
  • they help your subject relax
  • they often give the viewer of your shots real insight into the personality and lifestyle of your subject

Backgrounds

There should be some background detail, to add character to a picture, but not so much that it overpowers the presence of the person in the shot. The idea behind this method of photography is that the background subtly adds to the feel of the portrait yet does not become the main feature. If you find the background to be too distracting, try using a wider aperture to blur the background so you can still make out what’s there but the eye is immediately drawn to the person instead. You could also try cropping the shot when you’re back at your computer or simply move your subject to a place where the background isn’t so distracting. Remember, you want your location to relate to your subject and add interest to the shot without actually pulling attention away from your main point of focus.

One of my favorite photographs of my son in his teenage yrs

bella senior 5

http://www.creativefreedomphoto.com/

“The best asset that any photojournalist has is the ability to schmooze—the ability to relate to somebody else, the ability to talk to somebody else and to make them feel comfortable. If they’re comfortable with you, your pictures will clearly show it,” “You can’t be shy if you’re going to play photojournalist. You have to talk to people.”

An artist in his gallery in New Orleans

nola 2

http://www.creativefreedomphoto.com/

THE STREET MUSICIANS OF NEW ORLEANS IN PHOTOGRAPHS/http://www.creativefreedomphoto.com/

3ws Street musician at dusk in New Orleans 

http://www.creativefreedomphoto.com/

 To me there is no other place like New Orleans.As a “people”photographer” It is my heaven made to order!

I  love photographing the many street musicians.If I get a chance to hang around and talk to them I try to get some contact info so I can send them the photos.

One of my favorites, I met him on a chilly December early evening near the river.

New Orleans,streetmusician

http://www.creativefreedomphoto.com/

The Gentleman  below I happen to run into twice,the second time I was with my couple who just got married and he played music for them and invited us into his home,it was magical!

DSC_0934playing musicby the rivadancin in new orleansa17

http://www.creativefreedomphoto.com/

GRANDPA ELLIOT one of the most well known street musicians.I have seen him many times on documentaries about New Orleans. I just had to stop and talk to him, I mentioned that I also play the harmonica, he actually gave me his phone number and asked me to call him sometime!

a granpa elliott2agel

http://www.creativefreedomphoto.com/

MUSIC IS EVERYWHERE!! I love just walking along the street,some of the best music I have ever heard! Jazz musician in New Orleans NewOrleans street musicianStreet musician New Orleans

 musicians hat David in Musicians village NewOrleans Musicians of NewOrleans

http://www.creativefreedomphoto.com/

Improve your photography/rules of composition 2/by creativefreedomphoto

Portrait of Ivya Bat Man

http://www.creativefreedomphoto.com/

Unlike technical aspects of photography, artistic aspects cannot really be easily defined and applied to every photo. Probably the most important element of any photograph is its composition. The composition is what makes or breaks your photograph and yet not every composition rule will work well with every photo

FILLING THE FRAME

There’s an old adage in photography that says if you want to improve your photographs 100 percent, move closer. It’s true. The one sure way to keep from including too much extraneous information in a photograph is to fill the frame with your subject and nothing but your subject. Filling the frame from edge to edge leaves little doubt about what your intended target was. There are two ways to get closer: Use a telephoto lens or put some more wear on your walking shoes.

Fill the frame encourages you, as a photographer, to really spend some time thinking about your subject and how best to feature that subject in your photograph. How can you bring forward the details or the patterns or the most critical element(s) of your subject? How does the background add to or take away from the story that you are trying to tell?
 footloose and Fancy FreeGROWTH B SIOS

Background

This is one of those rules that almost all beginning photographers break. Sometimes we get so wrapped up in our subject that we don’t pay any attention to what’s going on behind them. If the background is busy and doesn’t add anything to your composition, try using a wider aperture so those distracting elements will become a non-descript blur. Or you can just try changing your angle.

Not all backgrounds need to be excluded, of course. Just make sure you pay attention to them and ask yourself whether they will contribute to or detract from your final image. Your answer will let you know whether you should get rid of them or include them. In the photo of the young just married couple walking on the beach, I included the old couple leaving the beach in the background for a reason,it does make the photograph more interesting. In the photograph of the little girl blowing bubbles, I used a swimming pool to isolate the background.

Asheville growth bubbles

http://www.creativefreedomphoto.com/

COLOR

Most people don’t conside rhow color can effect a photograph/make it POP.Know your complimentary colors! Colors that compliment each other, the opposite colors on a color wheel,remember the saying “Opposites attract”Blue and orange,yellow and purple,yellow and blue etc…

VANTAGE POINT

One of the most common mistakes an amateur/novice photographer makes is to take the majority of their photos standing up with the camera held near chest or eye level. Although this is the most comfortable/natural orientation it’s not the one that is going to yield impressive or unique photos. Everybody else is doing it and if you’re interested in taking photos that are going to impress an audience outside of friends and family it’s time to get down & dirty, climb, contort & twist your body all over the place

DSC_0064 1 a flower girl jj

http://www.creativefreedomphoto.com/

1) Look Up / Look Down

As mentioned previously, taking photos from chest or eye level is what 90% of other photographers are already doing. Start noticing what’s going on up & down. You might notice a man shaving nearby an overhead window or a cute dog scurrying about at ground level. Try taking photos of somebody climbing up steep steps from an overhead perspective. The next time you take a portrait of somebody have them sit down and look up towards the sky or ceiling before taking their shot from an above perspective. Try capturing architecture or a statue from a close-up perspective pointing your camera upwards to capture a distinct or select element.

2) Climb a Mountain, ladder, tree or just some steps

One of the easiest ways to change your perspective is to shoot from a higher vantage point. In other words, be prepared to get physical and do a little exercise climbing a mountain, ladder, tree, or just some steps When shooting above and looking down it’s almost as if you have a bird’s eye perspective of what is going on below. From a higher vantage point you can take great shots of parades, crowds, traffic or scenic valley views. The rewards of doing this are that ‘many’ other photographers are simply too lazy to ‘climb’ something. This is a tip that can’t be underestimated: putting in a bit of grunt work

…To show accomplishment, a child holding a trophy for instance,get down low and shoot up at your subject.

IMPROVE YOUR PHOTOGRAPHY! Rules of composition In Photography /byhttp://www.creativefreedomphoto.com/

There are no fixed rules in photography, but there are guidelines which can often help you to enhance the impact of your photos.

It may sound clichéd, but the only rule in photography is that there are no rules. However, there are are number of established composition guidelines which can be applied in almost any situation, to enhance the impact of a scene.

These guidelines will help you take more compelling photographs, lending them a natural balance, drawing attention to the important parts of the scene, or leading the viewer’s eye through the image.

Once you are familiar with these composition tips, you’ll be surprised at just how universal most of them are. You’ll spot them everywhere, and you’ll find it easy to see why some photos “work” while others feel like simple snapshots.

RULE OF THIRDS

Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines. The rule of thirds says that you should position the most important elements in your scene along these lines, or at the points where they intersect.

Doing so will add balance and interest to your photo. Some cameras even offer an option to superimpose a rule of thirds grid over the LCD screen, making it even easier to use.

afws22

http://www.creativefreedomphoto.com/

LEADING LINES

When we look at a photo our eye is naturally drawn along lines. By thinking about how you place lines in your composition, you can affect the way we view the image, pulling us into the picture, towards the subject, or on a journey “through” the scene. There are many different types of line – straight, diagonal, curvy, zigzag, radial etc – and each can be used to enhance our photo’s composition.

bella wedding 10

http://www.creativefreedomphoto.com/

SYMMETRY AND PATTERNS

We are surrounded by symmetry and patterns, both natural and man-made., They can make for very eye-catching compositions, particularly in situations where they are not expected. Another great way to use them is to break the symmetry or pattern in some way, introducing tension and a focal point to the scene.

 golden reflections

http://www.creativefreedomphoto.com/

SYMMETRY refers to a line that splits an object in half and, if both sides of the object are an exact mirror image of each other, then this object is said to be symmetrical. The line that splits a symmetrical object is called the line of symmetry. Symmetry is a powerful tool that lets you automatically create harmony and a sense of aesthetically pleasing balance and proportion in a photograph. You probably remember learning about symmetry in geometry class, but I rarely see photographers apply it in their work. That’s too bad, because symmetry is a powerful photographic tool. Symmetry is all around us and has always been associated with beauty, so why not use it? Depending on how you are holding the camera and how much of a scene you choose to show, you can strengthen or weaken the symmetric properties of an object or scene. there are many types of symmetries

Photographers look for symmetry and shoot it on purpose but sometimes even they create symmetry unconsciously as well. Symmetry soothes the eyes and mind of the viewer. Symmetry requires an eye-catching point of interest and a powerful composition. Without these two elements, it cannot hold the viewer’s attention for long. Achieving symmetry in an unexpected scene can make very appealing photography subjects.

FRAMING

The world is full of objects which make perfect natural frames, such as trees, archways and holes. By placing these around the edge of the composition you help to isolate the main subject from the outside world. The result is a more focused image which draws your eye naturally to the main point of interest.

aa1fb-001 a1fbed

http://www.creativefreedomphoto.com/

Opt for Simplicity

The concept of less is more lends itself effectively to just about everything, and photography is no exception. Overly complicated or complex photographic composition has the same problem as compound complicated sentences in writing, which make it difficult for the audience to understand and appreciate the idea that is trying to be conveyed. Simple in this context doesn’t mean simplistic, but rather lacking unnecessary elements that confuse or are redundant. In photography creating uncluttered, but distinct compositions simplify yet enhance the delivery of the idea. The mind’s eye of the viewer can do all the heavy lifting.

Photography Rules of Composition:
Simplify

Here is the first of the photography rules of composition you need to have in your toolbox: simplify! You want to break the rules? Well, you need to master them first, so read on!

Simplify

simplicity INNOCENCE PX

http://www.creativefreedomphoto.com/

You’ve probably heard of the KISS principle. “Keep It Simple, Stupid!” It teaches us to strive for design simplicity, and avoid unnecessary complexity. In photography composition, that means that we don’t want to include any elements in our picture space that distract from our main message.

It’s very tempting sometimes, when we come upon a great scene, to try to includeeverything in the picture. That is a mistake. It ends up being a jumble of elements that make for “information overload” for the viewer. It’s up to you to figure out what attracted you to the scene in the first place, and simplify the image to emphasize that factor.

STAY TUNED FOR MORE WAYS TO IMPROVE YOUR PICTURE TAKING!

http://www.creativefreedomphoto.com/

Wedding Photojournalism/The Story Teller by creativefreedomphoto

http://www.creativefreedomphoto.com/

 In the limo

Dont just keep pressing the shutter and hope that something sticks,wait,watch,observe.Do not ask people to do anything,allow life to happen .There are moments at a wedding like the dances that you are just about guaranteedfws1-003

http://www.creativefreedomphoto.com/

that there will be plenty of emotion to capture.Shoot like you are using film.If you are just starting out,I suggest that you use film. One of the best angles for capturing candidws is above,do take advantage I always look for this vantage point

http://www.creativefreedomphoto.com/

…A great wedding photographer is a great story teller. . Get to know your clients,meet with them, do an engagement session, it is very important that they feel comfortable with you, the more you know them the more passion you will feel.

182707_198550883490744_3931295_n

http://www.creativefreedomphoto.com/

As a wedding photojournalist, I allow the story to come to me.I very rarely tell people what to do (unless I am doing the group shots,my least favorite because I feel I am missing out on the “real moments”) I ask my clients to keep the group shot list to a minimum. They didint hire me for a bunch of posed group shots but for my ability to “capture emotions” To me weddings are by far the easiest because they tend to be a field day of emotions.

  •  At the beginning of the story,remember to photograph the place,the details,the venue.These are all important to the couple and are a part of their story.

Mecedes Benz Super Dome New Orleanswedding details

http://www.creativefreedomphoto.com/

I ask my clients to have the guys nearby so that I can go back and forth between the guys and the ladies, You want to get both sides of the story!

Try to be a fly on the wall, wear black not bright colors.You want people to forget that you are there so that things can happen naturally. I long zoom lens is a good Idea for candid s at weddings.

s

http://www.creativefreedomphoto.com/

Keep in mind that there are two sides of the story,during the ceremony for instance,its not just about the couple but pay attention to the audience,know who the parents are,most often the Mothers will shed some tears.

 

The most important shot during the ceremony most often it is the grooms reaction when he sees his bride for the first time

1ws

http://www.creativefreedomphoto.com/

groom cera130

My students often ask me what do you photograph during the reception when everyone is eating. Good question, it is not flattering to photograph people eating,but children can be adorable during this time.It is also a good time to shoot some of the details.Also the atmosphere,the musicians if they do have live music

wsrsrec

http://www.creativefreedomphoto.com/

afws-002

4a

http://www.creativefreedomphoto.com/

a1rsfws

http://www.creativefreedomphoto.com/

 

http://www.creativefreedomphoto.com/

A great story has a beginning,middle and an ending, think of a parting shot,it could be a back shot of the couple walking away in the sunset or grandma asleep at the reception,most often I dont think, I just allow things to happen naturally.Sometimes my couple does request a specific parting shot .

Super dome wedding

http://www.creativefreedomphoto.com/

 

arrssffwwsss

http://www.creativefreedomphoto.com/

Most important,dont pose people,allow them to be themselves,stand back,remember you are there to tell the story and to capture all the emotions

abc28-001afwsCFP

http://www.creativefreedomphoto.com/

http://www.creativefreedomphoto.com/

Capturing emotion in Photography by http://www.creativefreedomphoto.com/

we often find that the most beautiful photographs are often the ones capturing the strongest emotion. After all, human emotion is something we all experience every day of our lives.

a for thumt n re size-001

http://www.creativefreedomphoto.com/

Unless you’re a wedding photographer, where emotions are running high, and therefore are all over people’s faces, it’s not so easy to capture emotion. When they see a camera, people tend to freeze like deer in the headlights or they over react with big, cheesy grins or scrunched faces. This makes capturing raw emotion a bit tricky for any photographer. That doesn’t mean it’s impossible, you just have to have some tricks up your lens hood. -Capturing emotion in photos is no easy task! It can be especially tricky when people know they are being photographed we all want something more from a photo… genuine emotion. As the photographer, it’s your job to help people feel relaxed and comfortable!a1-003http://www.creativefreedomphoto.com/

When you’re shooting street shots or candids, capturing genuine emotion isn’t too difficult because you’re recording moments as they happen and your subjects are often unaware of or unconcerned with the camera’s presence.It takes a little effort — mostly in the form of simply being a thoughtful photographer — but getting your subjects to display some unfiltered emotion is certainly an attainable goal and one with a huge payoff. The following tips apply whether your portraits are formal or spur of the moment, for pay or for fun.,

acopy4-001

http://www.creativefreedomphoto.com/

Talk,Talk,Talk…is particularly important if the person you’re shooting is a stranger. Talking helps you, the photographer, get a feel for your subject’s personality and helps your subject forget about the camera. You can put them at ease by asking questions about themselves; don’t be intrusive or overly personal with your questions, but do express a real interest in their responses.

http://www.creativefreedomphoto.com/A PXL

It’s actually quite likely that some of the best photo ops are when they think you’ve put the camera down. The in-between moments are when your subject becomes authentic again. If you can sneak in a few photos during this time, you’ll be golden. When you pull this off will be spontaneous. If there is more than one person that you’re photographing, that spontaneity will be more likely to occur as they engage in conversation or an activity while you’re changing out your lenses. Stay on your toes and be ready for the unexpected!-

182707_198550883490744_3931295_n

Pulling emotion from people takes tack that comes more naturally to some than others. It helps to visualize a shoot before going into it. Imagine how and where you’re going to position them, the gear and equipment you’ll use, and how the actual images might look when done. Going into the shoot with a vision of how it would unfold will help you relax, which helps your client relax.fi1http://www.creativefreedomphoto.com/

saying ‘photography is done with the mind and heart’ continues to perfectly define the dividing line between an aficionado of the craft, and an artist.
The fascination with equipment and lenses is understandable; the same goes for passion for watches or cars, but all the best equipment or the best range of lenses in the world won’t do much to transform you into a great photographer.

When people argue over the grain of the photograph, or the lens that you really must use for this or that, they are losing sight of what is actually important: the content of the image, and the way in which the photographer sees his or her own reality. The first and essential thing needed to be able to argue above a photograph is to know what is actually being made. And in order to get something worth discussing, all we need is a camera and a lens, not the best camera and twelve lenses.

New Orleans/capturing the soul of a place/travelphotography by http://www.creativefreedomphoto.com/

https://www.youtube.com/watch?v=13vqqs_nObw&feature=em-upload_owner

http://www.creativefreedomphoto.com/

1wsDSC_0934

Traveling to a new place that you have never been to is so exciting! You feel like a child,everything is so new to you.

I love capturing the “soul” of a place. I cant think of a better place than New Orleans.,music and art everywhere, the architecture ,the colors,most of all, its the people!

Acopy 1 playing musicby the riva

When I venture out with my camera,( best not to go alone).Get right into it,walk around,talk to people. For candid shots its best to have a zoom lens so that people are not aware of you taking their photograph.Sometimes I will strike up a conversation, and then politely ask if I can photograph them,I continue to talk to them so that they feel comfortable,often times offer to send them the photos in return.

nola 21vDavid from musicians village the ninth wardacopy4-001

include people in your frames. Try to feature local people rather than tourists. Folks buying their daily paper, selecting flowers at the market, having coffee at the outdoor cafe or chatting as they walk their dogs. And if you have the time for doing some street photography, pick a spot and wait a bit. Something interesting will surely happen and a story will unfold for you to capture and take home. The human element always adds interest to your images.

Take your photos during the best light of the day.

Staying on the center of town, or having a room with wonderful views can create a lot of great photo opportunities.

14ws faces of New Orleans collectiona tappin

The best light comes at the beginning and end of each day and the first and last sunlight of the day is what we call the “magic hours” The warm light is much more flattering

What I bring.First and very important is a camera back pack,mine has wheels on it,make sure it is regulation size so that you can bring it on the plane with you,never ever check on your camera bag! Extra batteries,chargers,S.D cards, two camera bodies,wide angel and zoom lens,shoe mount flash.If you are taking a tri pod, pack it in your check on bag,you will not be allowed to carry it on the plane.Most airlines have a weight limit,Southwest is the only airline that does not,so if you are not flying southwest,make sure that you dont go over in weight. The best walk around lens is one that is both wide and telephoto.

 Reflection of the french quarter a shotgun16ws_JMP0787

If Its raining take advantage of this beautiful overcast light that makes color pop! Photograph the reflections ,have fun but most important protect your camera!I use a plastic bag.

Get up Early

The best light to capture most kinds of subjects is in the golden hours- one hour after sunrise and one hour before sunset (depend off course on where you are on the globe). So get up early to get that amazing photo opportunities, while all the other tourists are still asleep.

15ws 4ws

Have someone go with you . Do get lost! Wander down alleys. Sit in cafés and watch life pass by. Don’t eat where the tourists do, but where you see locals. Just set off down a street and see where it leads. Look around the bends, over the rises. Get away from the crowd. I find that if I meander away from the tourists and tourist sites, away from what is too familiar and comfortable, it’s much easier to adapt to the rhythm of a place, and to be more observant.

acopy3-001

contact http://www.creativefreedomphoto.com/ available for assignments worldwide