Photography is mainly made up of light and composition, you can have the greatest composition but without the right light…bla,or you have the most amazing light but with out a great composition,it will not be a great photograph
Like any event photographer, most of my wedding shots are of people, i.e. the bride, the groom and their guests. This, after all, is what a wedding is all about and what people mainly want to see when they open a wedding photo album. Weddings, though, are always packed full of other visual details besides the people. So much time is spent in preparation to make a wedding look beautiful that it would be a shame not to preserve some of this in the album. I find that sometimes the best way to achieve this is to make these details the subjects of some of my photographs, even if this means leaving people out of some shots completely.
Efficient time management is a major factor in a successful wedding shoot, and it can be difficult to capture all the shots you require across the day. That’s why I always show up early. I do this partly because it affords me the opportunity to walk around the venue – both inside and outside – and assess the lighting conditions on the day. However, it also gives me the chance to get some photos of the building itself and perhaps some of the decorations, flower arrangements and so on before any of the guests have arrived. I always remind my bride to have all of her details together for me when I come into the room where she is getting ready, flowers, rings, vows ,jewelry,shoes, anything and everything that she wants photographed. I challenge myself to find many creative ways of photographing inanimate objects (since I am a people photographer) this is always a challenge. I have been know to take an interesting painting off the walls and use it as my background. I try to stick with the colors of the wedding. Keep in mind all of this put together will want to look coordinated in a wedding album.
Of course, often we are asked to take photos of the bride, groom or both getting ready for the wedding. If this is in a hotel or other location far from the venue, it may be difficult to find time to turn up early and capture these detail shots. If so, don’t worry, there will be plenty of other opportunities. Try to spot details and photograph them across the day, and perhaps steal a bit of time at an opportune moment. An ideal opportunity is usually during the meal; most people don’t want to be photographed when they’re eating, so I take the chance to have a walk around the building and its exterior to grab some extra shots.
ALWAYS remember to photograph the venue and location. For destination weddings I might include some of my personal shots of the place I have taken before or after the wedding/
Framing is the technique of drawing attention to the subject of your image by blocking other parts of the image with something in the scene.
For this photograph I tore a hole in a leaf-in order to frame the couple
The benefits of framing pictures include:
1. giving the photo context (for example framing a scene with an archway can tell you something about the place you are by the architecture of the archway or including some foliage in the foreground of a shot can convey a sense of being out in nature).
2. giving images a sense of depth and layers (in essence framing a shot generally puts something in the foreground which adds an extra dimension to the shot).
3. leading the eye towards your main focal point (some ‘frames’ can draw your photo’s viewer into the picture just by their shape). Some also believe that a frame can not only draw the eye into a picture but that it keeps it there longer – giving a barrier between your subject and the outside of the shot.
4. intriguing your viewer. Sometimes it’s what you can’t see in an image that draws you into it as much as (if not more than) what you can see in the picture. Clever framing that leaves those viewing your image wondering a little or imagining what is behind your frame can be quite effective (get it wrong and it can also be quite annoying!).
Frames for photographs come in all shapes and sizes and can include shooting through overhanging branches, shooting through windows, using tunnels, arches or doorways – you can even use people (for example shooting over shoulders or between heads) etc.Your frame doesn’t need to go completely around the edges of your image – they might just be on one or two edges of your shot.
My rule of thumb when considering framing is to ask the question – ‘will this add to or take away from the image?’ Sometimes framing can just add clutter to a shot and make it feel cramped – but at other times it can be the difference between an ordinary shot and a stunning one.
GO OUT THERE AND START FRAMING, challenge yourself see how many creative ways you can think of to frame your photographs
Framing with color
This photo was captured at the Goombay festival in Key West
The photo below I wanted to find something to frame the beautiful eyes of this child
There are no fixed rules in photography, but there are guidelines which can often help you to enhance the impact of your photos.
It may sound clichéd, but the only rule in photography is that there are no rules. However, there are are number of established composition guidelines which can be applied in almost any situation, to enhance the impact of a scene.
These guidelines will help you take more compelling photographs, lending them a natural balance, drawing attention to the important parts of the scene, or leading the viewer’s eye through the image.
Once you are familiar with these composition tips, you’ll be surprised at just how universal most of them are. You’ll spot them everywhere, and you’ll find it easy to see why some photos “work” while others feel like simple snapshots.
RULE OF THIRDS
Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines. The rule of thirds says that you should position the most important elements in your scene along these lines, or at the points where they intersect.
Doing so will add balance and interest to your photo. Some cameras even offer an option to superimpose a rule of thirds grid over the LCD screen, making it even easier to use.
When we look at a photo our eye is naturally drawn along lines. By thinking about how you place lines in your composition, you can affect the way we view the image, pulling us into the picture, towards the subject, or on a journey “through” the scene. There are many different types of line – straight, diagonal, curvy, zigzag, radial etc – and each can be used to enhance our photo’s composition.
SYMMETRY AND PATTERNS
We are surrounded by symmetry and patterns, both natural and man-made., They can make for very eye-catching compositions, particularly in situations where they are not expected. Another great way to use them is to break the symmetry or pattern in some way, introducing tension and a focal point to the scene.
SYMMETRY refers to a line that splits an object in half and, if both sides of the object are an exact mirror image of each other, then this object is said to be symmetrical. The line that splits a symmetrical object is called the line of symmetry. Symmetry is a powerful tool that lets you automatically create harmony and a sense of aesthetically pleasing balance and proportion in a photograph. You probably remember learning about symmetry in geometry class, but I rarely see photographers apply it in their work. That’s too bad, because symmetry is a powerful photographic tool. Symmetry is all around us and has always been associated with beauty, so why not use it? Depending on how you are holding the camera and how much of a scene you choose to show, you can strengthen or weaken the symmetric properties of an object or scene. there are many types of symmetries
Photographers look for symmetry and shoot it on purpose but sometimes even they create symmetry unconsciously as well. Symmetry soothes the eyes and mind of the viewer. Symmetry requires an eye-catching point of interest and a powerful composition. Without these two elements, it cannot hold the viewer’s attention for long. Achieving symmetry in an unexpected scene can make very appealing photography subjects.
The world is full of objects which make perfect natural frames, such as trees, archways and holes. By placing these around the edge of the composition you help to isolate the main subject from the outside world. The result is a more focused image which draws your eye naturally to the main point of interest.
Opt for Simplicity
The concept of less is more lends itself effectively to just about everything, and photography is no exception. Overly complicated or complex photographic composition has the same problem as compound complicated sentences in writing, which make it difficult for the audience to understand and appreciate the idea that is trying to be conveyed. Simple in this context doesn’t mean simplistic, but rather lacking unnecessary elements that confuse or are redundant. In photography creating uncluttered, but distinct compositions simplify yet enhance the delivery of the idea. The mind’s eye of the viewer can do all the heavy lifting.
Photography Rules of Composition:
Here is the first of the photography rules of composition you need to have in your toolbox: simplify! You want to break the rules? Well, you need to master them first, so read on!
You’ve probably heard of the KISS principle. “Keep It Simple, Stupid!” It teaches us to strive for design simplicity, and avoid unnecessary complexity. In photography composition, that means that we don’t want to include any elements in our picture space that distract from our main message.
It’s very tempting sometimes, when we come upon a great scene, to try to includeeverything in the picture. That is a mistake. It ends up being a jumble of elements that make for “information overload” for the viewer. It’s up to you to figure out what attracted you to the scene in the first place, and simplify the image to emphasize that factor.
STAY TUNED FOR MORE WAYS TO IMPROVE YOUR PICTURE TAKING!
Dont just keep pressing the shutter and hope that something sticks,wait,watch,observe.Do not ask people to do anything,allow life to happen .There are moments at a wedding like the dances that you are just about guaranteed
that there will be plenty of emotion to capture.Shoot like you are using film.If you are just starting out,I suggest that you use film. One of the best angles for capturing candid is above,do take advantage I always look for this vantage point
…A great wedding photographer is a great story teller. . Get to know your clients,meet with them, do an engagement session, it is very important that they feel comfortable with you, the more you know them the more passion you will feel.
As a wedding photojournalist, I allow the story to come to me.I very rarely tell people what to do (unless I am doing the group shots,my least favorite because I feel I am missing out on the “real moments”) I ask my clients to keep the group shot list to a minimum. They didint hire me for a bunch of posed group shots but for my ability to “capture emotions” To me weddings are by far the easiest because they tend to be a field day of emotions.
- At the beginning of the story,remember to photograph the place,the details,the venue.These are all important to the couple and are a part of their story.
I ask my clients to have the guys nearby so that I can go back and forth between the guys and the ladies, You want to get both sides of the story!
Try to be a fly on the wall, wear black not bright colors.You want people to forget that you are there so that things can happen naturally. I long zoom lens is a good Idea for candid s at weddings.
Keep in mind that there are two sides of the story,during the ceremony for instance,its not just about the couple but pay attention to the audience,know who the parents are,most often the Mothers will shed some tears.
The most important shot during the ceremony most often it is the grooms reaction when he sees his bride for the first time
My students often ask me what do you photograph during the reception when everyone is eating. Good question, it is not flattering to photograph people eating,but children can be adorable during this time.It is also a good time to shoot some of the details.Also the atmosphere,the musicians if they do have live music
A great story has a beginning,middle and an ending, think of a parting shot,it could be a back shot of the couple walking away in the sunset or grandma asleep at the reception,most often I dont think, I just allow things to happen naturally.Sometimes my couple does request a specific parting shot .
Most important,dont pose people,allow them to be themselves,stand back,remember you are there to tell the story and to capture all the emotions