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Improve your photography/rules of composition 2/by creativefreedomphoto

Portrait of Ivya Bat Man

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Unlike technical aspects of photography, artistic aspects cannot really be easily defined and applied to every photo. Probably the most important element of any photograph is its composition. The composition is what makes or breaks your photograph and yet not every composition rule will work well with every photo

FILLING THE FRAME

There’s an old adage in photography that says if you want to improve your photographs 100 percent, move closer. It’s true. The one sure way to keep from including too much extraneous information in a photograph is to fill the frame with your subject and nothing but your subject. Filling the frame from edge to edge leaves little doubt about what your intended target was. There are two ways to get closer: Use a telephoto lens or put some more wear on your walking shoes.

Fill the frame encourages you, as a photographer, to really spend some time thinking about your subject and how best to feature that subject in your photograph. How can you bring forward the details or the patterns or the most critical element(s) of your subject? How does the background add to or take away from the story that you are trying to tell?
 footloose and Fancy FreeGROWTH B SIOS

Background

This is one of those rules that almost all beginning photographers break. Sometimes we get so wrapped up in our subject that we don’t pay any attention to what’s going on behind them. If the background is busy and doesn’t add anything to your composition, try using a wider aperture so those distracting elements will become a non-descript blur. Or you can just try changing your angle.

Not all backgrounds need to be excluded, of course. Just make sure you pay attention to them and ask yourself whether they will contribute to or detract from your final image. Your answer will let you know whether you should get rid of them or include them. In the photo of the young just married couple walking on the beach, I included the old couple leaving the beach in the background for a reason,it does make the photograph more interesting. In the photograph of the little girl blowing bubbles, I used a swimming pool to isolate the background.

Asheville growth bubbles

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COLOR

Most people don’t conside rhow color can effect a photograph/make it POP.Know your complimentary colors! Colors that compliment each other, the opposite colors on a color wheel,remember the saying “Opposites attract”Blue and orange,yellow and purple,yellow and blue etc…

VANTAGE POINT

One of the most common mistakes an amateur/novice photographer makes is to take the majority of their photos standing up with the camera held near chest or eye level. Although this is the most comfortable/natural orientation it’s not the one that is going to yield impressive or unique photos. Everybody else is doing it and if you’re interested in taking photos that are going to impress an audience outside of friends and family it’s time to get down & dirty, climb, contort & twist your body all over the place

DSC_0064 1 a flower girl jj

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1) Look Up / Look Down

As mentioned previously, taking photos from chest or eye level is what 90% of other photographers are already doing. Start noticing what’s going on up & down. You might notice a man shaving nearby an overhead window or a cute dog scurrying about at ground level. Try taking photos of somebody climbing up steep steps from an overhead perspective. The next time you take a portrait of somebody have them sit down and look up towards the sky or ceiling before taking their shot from an above perspective. Try capturing architecture or a statue from a close-up perspective pointing your camera upwards to capture a distinct or select element.

2) Climb a Mountain, ladder, tree or just some steps

One of the easiest ways to change your perspective is to shoot from a higher vantage point. In other words, be prepared to get physical and do a little exercise climbing a mountain, ladder, tree, or just some steps When shooting above and looking down it’s almost as if you have a bird’s eye perspective of what is going on below. From a higher vantage point you can take great shots of parades, crowds, traffic or scenic valley views. The rewards of doing this are that ‘many’ other photographers are simply too lazy to ‘climb’ something. This is a tip that can’t be underestimated: putting in a bit of grunt work

…To show accomplishment, a child holding a trophy for instance,get down low and shoot up at your subject.

IMPROVE YOUR PHOTOGRAPHY! Rules of composition In Photography /byhttp://www.creativefreedomphoto.com/

There are no fixed rules in photography, but there are guidelines which can often help you to enhance the impact of your photos.

It may sound clichéd, but the only rule in photography is that there are no rules. However, there are are number of established composition guidelines which can be applied in almost any situation, to enhance the impact of a scene.

These guidelines will help you take more compelling photographs, lending them a natural balance, drawing attention to the important parts of the scene, or leading the viewer’s eye through the image.

Once you are familiar with these composition tips, you’ll be surprised at just how universal most of them are. You’ll spot them everywhere, and you’ll find it easy to see why some photos “work” while others feel like simple snapshots.

RULE OF THIRDS

Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines. The rule of thirds says that you should position the most important elements in your scene along these lines, or at the points where they intersect.

Doing so will add balance and interest to your photo. Some cameras even offer an option to superimpose a rule of thirds grid over the LCD screen, making it even easier to use.

afws22

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LEADING LINES

When we look at a photo our eye is naturally drawn along lines. By thinking about how you place lines in your composition, you can affect the way we view the image, pulling us into the picture, towards the subject, or on a journey “through” the scene. There are many different types of line – straight, diagonal, curvy, zigzag, radial etc – and each can be used to enhance our photo’s composition.

bella wedding 10

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SYMMETRY AND PATTERNS

We are surrounded by symmetry and patterns, both natural and man-made., They can make for very eye-catching compositions, particularly in situations where they are not expected. Another great way to use them is to break the symmetry or pattern in some way, introducing tension and a focal point to the scene.

 golden reflections

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SYMMETRY refers to a line that splits an object in half and, if both sides of the object are an exact mirror image of each other, then this object is said to be symmetrical. The line that splits a symmetrical object is called the line of symmetry. Symmetry is a powerful tool that lets you automatically create harmony and a sense of aesthetically pleasing balance and proportion in a photograph. You probably remember learning about symmetry in geometry class, but I rarely see photographers apply it in their work. That’s too bad, because symmetry is a powerful photographic tool. Symmetry is all around us and has always been associated with beauty, so why not use it? Depending on how you are holding the camera and how much of a scene you choose to show, you can strengthen or weaken the symmetric properties of an object or scene. there are many types of symmetries

Photographers look for symmetry and shoot it on purpose but sometimes even they create symmetry unconsciously as well. Symmetry soothes the eyes and mind of the viewer. Symmetry requires an eye-catching point of interest and a powerful composition. Without these two elements, it cannot hold the viewer’s attention for long. Achieving symmetry in an unexpected scene can make very appealing photography subjects.

FRAMING

The world is full of objects which make perfect natural frames, such as trees, archways and holes. By placing these around the edge of the composition you help to isolate the main subject from the outside world. The result is a more focused image which draws your eye naturally to the main point of interest.

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Opt for Simplicity

The concept of less is more lends itself effectively to just about everything, and photography is no exception. Overly complicated or complex photographic composition has the same problem as compound complicated sentences in writing, which make it difficult for the audience to understand and appreciate the idea that is trying to be conveyed. Simple in this context doesn’t mean simplistic, but rather lacking unnecessary elements that confuse or are redundant. In photography creating uncluttered, but distinct compositions simplify yet enhance the delivery of the idea. The mind’s eye of the viewer can do all the heavy lifting.

Photography Rules of Composition:
Simplify

Here is the first of the photography rules of composition you need to have in your toolbox: simplify! You want to break the rules? Well, you need to master them first, so read on!

Simplify

simplicity INNOCENCE PX

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You’ve probably heard of the KISS principle. “Keep It Simple, Stupid!” It teaches us to strive for design simplicity, and avoid unnecessary complexity. In photography composition, that means that we don’t want to include any elements in our picture space that distract from our main message.

It’s very tempting sometimes, when we come upon a great scene, to try to includeeverything in the picture. That is a mistake. It ends up being a jumble of elements that make for “information overload” for the viewer. It’s up to you to figure out what attracted you to the scene in the first place, and simplify the image to emphasize that factor.

STAY TUNED FOR MORE WAYS TO IMPROVE YOUR PICTURE TAKING!

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