Tag Archives: travel photography tips

Improve your travel photography/advice from a photojournalist

 

My very favorite thing to photograph is travel/street photography. Especially when I see a place for the very first time.Being a “people” photographer No place on earth inspires me more than New Orleans.To me its the people that make the place!

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  My best advice.:
1) use a lens that cane do both wide angel and zoom.Invest in a camera backpack,limit the amount of equipment. Its NOT the equipment that capture the moment,its you.
2) Do not walk around alone.
3) Be fearless,go off the beaten path.While visiting New Orleans I went to the ninth ward. There is a magical place  called “musicians Village” that is were I met David
4) DO NOT go on a guided tour
5) Talk to people,get up close and personal
6) Street musicians are a good place to start,they never mind if you are talking their photo.
7)Pay attention to detail
8) think outside of the box,try interesting views,different angels and perspectives
9 ) Go out with your camera in the magic hour right after the sun comes up,right before the sun sets.After the rain,photograph reflections in puddles,take advantage of overcast light,makes colors pop and skin tones, even. Twilight immediately after the sun sets for night scenes.
10)Try to stay in the center of town,I shot this one from my balcony at three in the morning.
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11)Most of all, let the story unfold before you,enjoy the adventure.Its like when I photograph a wedding I dont think about it and put pressure on myself,the story unfolds before me, I am there to tell the story

Environmental portraits lesson/www.creativefreedomphoto.com

As a Photojournalist for several newspapers, environmental portraits are a must.They tell a story. The photo below was the morning after hurricane George hit Key West.

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just because wilma h

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Above a sign turned up side down,one of the weirdest things I have ever seen!

What exactly is an environmental portrait, how does it differ from a typical portrait?
An environmental portrait, also called a location portrait, uses a person’s surroundings to tell more about that person. Sometimes this environment is directly connected to who they are—it’s that person’s home, place of work or community. Other times the environment has little or no connection but helps create a mood that contributes to an understanding of that person.

Below an old Cuban man making hats out of psalm fronds in Key West Fl

“Thats What Fronds Are For”

Thats what fronds are for!!

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Why do I prefer environmental portraits?

  • they give context to the subject you’re photographing
  • they give points of interest to shots (something you need to watch as you don’t want to distract from your subject too much)
  • they help your subject relax
  • they often give the viewer of your shots real insight into the personality and lifestyle of your subject

Backgrounds

There should be some background detail, to add character to a picture, but not so much that it overpowers the presence of the person in the shot. The idea behind this method of photography is that the background subtly adds to the feel of the portrait yet does not become the main feature. If you find the background to be too distracting, try using a wider aperture to blur the background so you can still make out what’s there but the eye is immediately drawn to the person instead. You could also try cropping the shot when you’re back at your computer or simply move your subject to a place where the background isn’t so distracting. Remember, you want your location to relate to your subject and add interest to the shot without actually pulling attention away from your main point of focus.

One of my favorite photographs of my son in his teenage yrs

bella senior 5

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“The best asset that any photojournalist has is the ability to schmooze—the ability to relate to somebody else, the ability to talk to somebody else and to make them feel comfortable. If they’re comfortable with you, your pictures will clearly show it,” “You can’t be shy if you’re going to play photojournalist. You have to talk to people.”

An artist in his gallery in New Orleans

nola 2

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Capturing emotion in Photography by http://www.creativefreedomphoto.com/

we often find that the most beautiful photographs are often the ones capturing the strongest emotion. After all, human emotion is something we all experience every day of our lives.

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Unless you’re a wedding photographer, where emotions are running high, and therefore are all over people’s faces, it’s not so easy to capture emotion. When they see a camera, people tend to freeze like deer in the headlights or they over react with big, cheesy grins or scrunched faces. This makes capturing raw emotion a bit tricky for any photographer. That doesn’t mean it’s impossible, you just have to have some tricks up your lens hood. -Capturing emotion in photos is no easy task! It can be especially tricky when people know they are being photographed we all want something more from a photo… genuine emotion. As the photographer, it’s your job to help people feel relaxed and comfortable!a1-003http://www.creativefreedomphoto.com/

When you’re shooting street shots or candids, capturing genuine emotion isn’t too difficult because you’re recording moments as they happen and your subjects are often unaware of or unconcerned with the camera’s presence.It takes a little effort — mostly in the form of simply being a thoughtful photographer — but getting your subjects to display some unfiltered emotion is certainly an attainable goal and one with a huge payoff. The following tips apply whether your portraits are formal or spur of the moment, for pay or for fun.,

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Talk,Talk,Talk…is particularly important if the person you’re shooting is a stranger. Talking helps you, the photographer, get a feel for your subject’s personality and helps your subject forget about the camera. You can put them at ease by asking questions about themselves; don’t be intrusive or overly personal with your questions, but do express a real interest in their responses.

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It’s actually quite likely that some of the best photo ops are when they think you’ve put the camera down. The in-between moments are when your subject becomes authentic again. If you can sneak in a few photos during this time, you’ll be golden. When you pull this off will be spontaneous. If there is more than one person that you’re photographing, that spontaneity will be more likely to occur as they engage in conversation or an activity while you’re changing out your lenses. Stay on your toes and be ready for the unexpected!-

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Pulling emotion from people takes tack that comes more naturally to some than others. It helps to visualize a shoot before going into it. Imagine how and where you’re going to position them, the gear and equipment you’ll use, and how the actual images might look when done. Going into the shoot with a vision of how it would unfold will help you relax, which helps your client relax.fi1http://www.creativefreedomphoto.com/

saying ‘photography is done with the mind and heart’ continues to perfectly define the dividing line between an aficionado of the craft, and an artist.
The fascination with equipment and lenses is understandable; the same goes for passion for watches or cars, but all the best equipment or the best range of lenses in the world won’t do much to transform you into a great photographer.

When people argue over the grain of the photograph, or the lens that you really must use for this or that, they are losing sight of what is actually important: the content of the image, and the way in which the photographer sees his or her own reality. The first and essential thing needed to be able to argue above a photograph is to know what is actually being made. And in order to get something worth discussing, all we need is a camera and a lens, not the best camera and twelve lenses.

New Orleans/capturing the soul of a place/travelphotography by http://www.creativefreedomphoto.com/

https://www.youtube.com/watch?v=13vqqs_nObw&feature=em-upload_owner

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Traveling to a new place that you have never been to is so exciting! You feel like a child,everything is so new to you.

I love capturing the “soul” of a place. I cant think of a better place than New Orleans.,music and art everywhere, the architecture ,the colors,most of all, its the people!

Acopy 1 playing musicby the riva

When I venture out with my camera,( best not to go alone).Get right into it,walk around,talk to people. For candid shots its best to have a zoom lens so that people are not aware of you taking their photograph.Sometimes I will strike up a conversation, and then politely ask if I can photograph them,I continue to talk to them so that they feel comfortable,often times offer to send them the photos in return.

nola 21vDavid from musicians village the ninth wardacopy4-001

include people in your frames. Try to feature local people rather than tourists. Folks buying their daily paper, selecting flowers at the market, having coffee at the outdoor cafe or chatting as they walk their dogs. And if you have the time for doing some street photography, pick a spot and wait a bit. Something interesting will surely happen and a story will unfold for you to capture and take home. The human element always adds interest to your images.

Take your photos during the best light of the day.

Staying on the center of town, or having a room with wonderful views can create a lot of great photo opportunities.

14ws faces of New Orleans collectiona tappin

The best light comes at the beginning and end of each day and the first and last sunlight of the day is what we call the “magic hours” The warm light is much more flattering

What I bring.First and very important is a camera back pack,mine has wheels on it,make sure it is regulation size so that you can bring it on the plane with you,never ever check on your camera bag! Extra batteries,chargers,S.D cards, two camera bodies,wide angel and zoom lens,shoe mount flash.If you are taking a tri pod, pack it in your check on bag,you will not be allowed to carry it on the plane.Most airlines have a weight limit,Southwest is the only airline that does not,so if you are not flying southwest,make sure that you dont go over in weight. The best walk around lens is one that is both wide and telephoto.

 Reflection of the french quarter a shotgun16ws_JMP0787

If Its raining take advantage of this beautiful overcast light that makes color pop! Photograph the reflections ,have fun but most important protect your camera!I use a plastic bag.

Get up Early

The best light to capture most kinds of subjects is in the golden hours- one hour after sunrise and one hour before sunset (depend off course on where you are on the globe). So get up early to get that amazing photo opportunities, while all the other tourists are still asleep.

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Have someone go with you . Do get lost! Wander down alleys. Sit in cafés and watch life pass by. Don’t eat where the tourists do, but where you see locals. Just set off down a street and see where it leads. Look around the bends, over the rises. Get away from the crowd. I find that if I meander away from the tourists and tourist sites, away from what is too familiar and comfortable, it’s much easier to adapt to the rhythm of a place, and to be more observant.

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