Category Archives: lesson on street photography

Improve your travel photography/advice from a photojournalist

 

My very favorite thing to photograph is travel/street photography. Especially when I see a place for the very first time.Being a “people” photographer No place on earth inspires me more than New Orleans.To me its the people that make the place!

1ws

 http://www.creativefreedomphoto.com/

  My best advice.:
1) use a lens that cane do both wide angel and zoom.Invest in a camera backpack,limit the amount of equipment. Its NOT the equipment that capture the moment,its you.
2) Do not walk around alone.
3) Be fearless,go off the beaten path.While visiting New Orleans I went to the ninth ward. There is a magical place  called “musicians Village” that is were I met David
4) DO NOT go on a guided tour
5) Talk to people,get up close and personal
6) Street musicians are a good place to start,they never mind if you are talking their photo.
7)Pay attention to detail
8) think outside of the box,try interesting views,different angels and perspectives
9 ) Go out with your camera in the magic hour right after the sun comes up,right before the sun sets.After the rain,photograph reflections in puddles,take advantage of overcast light,makes colors pop and skin tones, even. Twilight immediately after the sun sets for night scenes.
10)Try to stay in the center of town,I shot this one from my balcony at three in the morning.
wsrsts
11)Most of all, let the story unfold before you,enjoy the adventure.Its like when I photograph a wedding I dont think about it and put pressure on myself,the story unfolds before me, I am there to tell the story
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FOR THE LOVE OF STREET PHOTOGRAPHY ; part 2/creativefreedomphoto

    I am known as a wedding photojournalist, but my true love is street  photography . I have allot to say about this subject I will most likely have several blogs on the topic of street photography.
7fwsrs st musician new orleans
     . Whenever I am sent on a destination wedding to places like New Orleans (one of my favorite places)  I try to at least have a day for myself where I can explore and shoot for my soul.Of course being a “people photographer,New Orleans is magical to me, .I stopped using a zoom lens, on purpose  It has forced me to be up close and personal, to talk and get to know my subjects, most times this is more rewarding to me.. there are still moments where I see a shot and take it very candidly,getting up close would loose the feeling  .There are no rules here, it depends on the subject.Sometimes standing from a distance and just allowing     life to happen, Or,,finding a great spot with just the right light and composition and just waiting for a subject to walk into it. other times
acopy4-001
meeting an artist , musician or character
on the street  and talking while I am photographing him./her,getting to listen and enjoy their stories.Below I ventured into “musicians village in the upper 9th ward in New Orleans and met this wonderful musician named David who invited us into his home and just loved to tell us his stories . Musicians village is a magical place

The village, a development of Habitat for Humanity, was started after Hurricane Katrina on a vacant piece of land once occupied by a school, with the notion of creating a new, affordable neighborhood that would welcome home New Orleans musicians and others displaced by Katrina.

With support from homegrown musical celebrities like Harry Connick Jr. and Branford Marsalis, the village has blossomed into a neighborhood of 72 new homes and spurred the renovation of previously existing homes along its perimeters. I am dreaming of an “artist village right next door,I would move in a heartbeat”!

 

David from the ninth ward_JMP7382
“The best asset that any photojournalist has is the ability to schmooze—the ability to relate to somebody else, the ability to talk to somebody else and to make them feel comfortable. If they’re comfortable with you, your pictures will clearly show it,” “You can’t be shy if you’re going to play photojournalist. You have to talk to people.”

Explain yourself. Be polite, smile and say sorry if somebody is offended you took a photograph of them. Offer to e-mail the photograph. It takes practice being comfortable in this style of photography, but the results are very true to life and worth it.

Although I love photographing people,street photography doesn’t have to have people in it,sometimes its the details, I found this tile a child wrote and stuck it on a fence in Greenwich village after 9/11

 

And always remember this,
“A mime is a terrible thing to waste”
"A Mime Is A Terrible Thing To Waist"

FOR THE LOVE OF “STREET PHOTOGRAPHY” PART 1 /creativefreedomphoto

I have a lot to say on the subject of street photography so I am going to have several blogs on this subject,I post approximately once a week, sometimes more when I have the time.

WHAT IS STREET PHOTOGRAPHY?

” Street photographs are mirror images of society,displaying unmanipulated  scenes,with usually unaware subjects”
street musician,french quarter,new orleans at dusk
 Street photography shows a pure vision of something,like holding up a mirror to society.Street photography often tends to be ironic and can be distanced from its subject matter,and often concentrates on a single human moment,caught at a decisive or poignant moment.On the other hand,much street photography takes the opposite approach and provides a very literal and extremely personal rendering of the subject matter,giving the audience a more visceral experience of walks of life they might only be  passingly familiar with.

 

Growing up in New York,It was my first photography class in ninth grade.My Mother would drive me into the heart of New York city ,she was very impatient and I had to roll my window down and shoot from the car, she would say “shoot,Shoot,life is happening fast “! .I wish I still had my work from that time,I do still have these photographs in my mind; angry faces of NYC cab drivers cursing at the traffic,   old ladies looking at the world from the safety of their windows.I have just one photograph from around that age.
 the Bowery NYC,1972
I started to take the train into the city by myself and wander down into”the bowery” a “very bad neighborhood” I was told to stay away from, of course that  intrigued  me!    I started talking to the street people, back then they called them”bums” I asked this old man, bottle of whisky between his legs,sitting against the tire of an old truck ,wisdom and pain displayed on his many wrinkles”Hey,Whats going on,how are you doing today”that would  strike up  a conversation, He then started to tell me a bit about his life while I listened and photographed him,periodically putting my camera down.
      I would bring the film back to class and develop it in the darkroom watching the photo  come to life before my eyes in the developer, in those days I had to wait a long time before I could actually see the photograph .
     I was born with amblyopia and only have sight in one eye), I learned much later in life this is a good thing, close your eye and see the world with one eye, after all that is what the camera does
   ,My photography teacher loved my work,at that time in my life I did not have any confidence in myself,(coming from an abusive home ) it felt strange to me to be complimented, I did not believe in myself all I knew was that I fell in love with photography,It was a way for me to not only express myself but a way to capture a moment forever..I was hooked!!
There seems to be a sentiment out there that somehow “legitimate” street photography involves only candid shots. I began with candid shots myself. It was when I began interacting with my subjects, however, that my photography truly began to stand out. By involving your subject in the process, you can not only compose your shot better, but also reveal more of the subject’s personality.
   I tend to do both,it depends on my subject
 New Orleans Lady

Start in a crowd.

I encourage new street photographers to start with a busy public place such as a street market or an outdoor event as a comfortable start.  You are more invisible in a crowd and can more easily overcome your fear of photographing strangers. Street performers are excellent street photography subjects to start shooting. After all, they are there to be seen and are used to being photographed plus they are part of the culture of the place you are visiting. Buskers perform to make a few bucks, so shoot away, and be generous with what you toss in their hat!

Jah Bless

http://www.creativefreedomphoto.com/

I photographed the shot above of a street  vendor  at the Goombay festival in Key West. There is always that one face in the crowd that stands out, that particular day, this man was the one face.At that time I was photographing for the newspapers.

nola-2

http://www.creativefreedomphoto.com/

Now that I am older,I enjoy getting to know my subjects,getting up close and personal and listening to their stories.

I was starting out in my career,not as bold as I am now and shot mostly candid with a 300mm zoom lens.I walked up and down the crowded streets that day,hoping for that one shot that would capture this colorful Caribbean festival. I kept my eye on my subject waiting for just the right moment. I had my camera ready and zoomed in on him,a tourist stopped by his set up and asked to see a particular item, that is when he stuck his head through the beautiful material that framed him perfectly with abundant color,that was it!, the photograph that captured the festival, even though I was using film and couldn’t see it right away, I knew in my heart that I had gotten “the one”!

New Orleans,streetmusician

The street musicians of New Orleans among my favorite subjects to photograph (in my favorite city on the planet!)

http://www.creativefreedomphoto.com/

“Which of my photographs is my favorite? The one I’m going to take tomorrow.”
~ Imogen Cunningham